Андрасюк Міхась, Белы конь

Белы конь

Аповесць

Андрасюк Міхась

Publication Place: Беласток

Publication Date: 2006

Editor: Чыквін Ян

Editorial Staff: Карэктар Іванюк Вера; Тэхнічны рэдактар Бельскі Павел; На вокладцы жывапіс Бушчыка Міколы

Publisher: Беларускае літаратурнае аб’яднанне Белавежа

Book Series: Бібліятэчка Беларускага літаратурнага аб’яднання Белавежа, Серыя заснавана ў 1990, Кніга пяцьдзесят чацвёртая

Publishing/ Printing House: Prymat, Białystok

ISBN: 8385918418

Category: Belles-Lettres

Copyright © by Michał Androsiuk

Book Collection: KAMUNIKAT — this site (online version); MiOKB — the library of the Belarusian Culture Community and Museum, ul. 3 Maja 42, Hajnówka (hardcopy)

Copy Numbers: MiOKB — [10039], [11333]

Supplementary Data: Publikacja ukazuje się dzięki pomocy finansowej Ministerstwa Kultury

I took my time to reread Andrasyuk's The White Horse slowly for better comprehension and pleasure. The White Horse is nothing like his previous books, The Firm or Local Gravitation. The title page says that it is a short novel, something that Mikhas denies at the start. This is, in fact, a short novel, a saga of one family. Captivating, at times sad, at times funny, at times primitive but on the whole it is a deep real-life story. "Primitive" does not refer to the writer's skills but to thoughts and feelings of his characters. Why a saga? Because it begins with the forefathers, as they call themselves, and concludes with the last ones who had no off-springs. It does not matter that there is only one generation between the former and the latter. What matters is that the sage covers the one family's lifetime. The novel is captivating from the start, which testifies to its quality. Andrasyuk has matured as a writer. The book is so realistic that I had a feeling that someone stuck a finger between my ribs. I am reading it as if watching over the fence what happens in the neighbor's backyard. I often feel sad and sorry, but cannot help change anything. What is it about Mikhas that makes you feel as if you have a finger between your ribs? Maybe he looks into things deeper, discovering secrets that he had hid in the corner of his soul from himself. He looks at the world around him with his characters' eyes and lets us feel what he feels and what we feel, something that hurts and that we cannot change. (N

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